Arundhati Nag reflects on the transformation of the theatre landscape since the inception of Ranga Shankara 20 years ago. She discusses her initial aspirations, the realities of running the theater, and her optimistic vision for the future. Ranga Shankara, under her guidance, has become a revered institution that has reshaped perceptions about theater. Initially perceived as an elitist pursuit, theater has now become more accessible to the general public, thanks to the inclusive approach of Arundhati Nag and her team. Despite some lingering skepticism, she notes that once people experience the magic of live performances at Ranga Shankara, their perspectives invariably shift.
Nag acknowledges the challenges of nurturing a thriving theater community, at times feeling a deep personal investment in its success. She expresses both admiration for innovative young theater groups and frustration with those she perceives as lacking dedication. She fondly describes Ranga Shankara as her "baby," emphasizing the ongoing pursuit of ambitious goals that have defined the venue's journey. Over the past two decades, they have weathered fluctuating fortunes, persisting in their pursuit of excellence while adapting to feedback and evolving community needs.
Nag also observes a growing divide between traditional and contemporary theater forms, lamenting the increasing disconnect between rural and urban theatrical traditions. In her view, maintaining a sense of unity within the diverse tapestry of Indian theater is crucial for preserving its rich cultural heritage.States such as Gujarat, Bengal, Karnataka, and others collectively represent an anti-colonial voice that emerged simultaneously. As India urbanizes, a growing divide between traditional and urban theater is observed, a trend increasingly prevalent globally. India boasts the greatest variety in languages and art forms, a heritage that we must preserve for future generations.
In 2004, a photograph captured the opening night of Ranga Shankara, reflecting the growth of theater over the past 20 years from 50 to 100 groups. While this growth attracts more young and amateur enthusiasts to the Indian theater community, there is a desire to promote theater-watching as a rewarding and enriching experience.
Art supporters who selflessly contribute to theater financially, without imposing conditions, deserve recognition. Their generosity provides hope for the survival of artists and fosters a culture where dreams can thrive. Arundhati Nag advocates for exploring new experiences without reservation, emphasizing theater as a vital cultural medium that offers diverse opportunities to learn and engage with one's heritage.
As society evolves rapidly, maintaining a spirit of generosity and a commitment to excellence is paramount. Arundhati Nag expresses gratitude for the opportunities she has had, reflecting on the importance of remaining open-minded and continuing to support the arts.What I hope to remain at the heart of Ranga Shankara long after we are gone is its spirit of generosity and commitment to excellence. Being only generous can lead you astray, and solely focusing on excellence may make you arrogant. Striking a balance between the two is truly invaluable. Arundhati Nag and the late Girish Karnad were spotted engaging in conversation with literary figures at the venue.
